Download City of Night, by John Rechy

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City of Night, by John Rechy

Download City of Night, by John Rechy

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Review

Praise for City of Night:“One of the few major American writers whose life is almost as interesting, and meaningful, as his work.”—Michael Cunningham“A ground-breaking book . . . observing a whole new array of characters . . . many for the first time in American literature. . . . A classic American novel.”—Edmund White, The New York Review of Books“Probably no novel published in this decade is so complete, so well held together, and so important as City of Night.”—Larry McMurtry“One of the major books to be published since World War II.”—The Washington Post“City of Night is one of the most remarkable novels to appear in years. . . . It illuminates, it stirs the heart, it is unforgettable.”—Herbert Gold“This is one of the best first novels in recent years. . . . It is not presented and it is not conceived, it is written.”—Frank O’Hara, Kulchur“City of Night is a remarkable book. . . . Mr. Rechy writes in an authentic jive-like slang: the nightmare existence is explored with a clarity not often clouded by sentimentality and self-pity. The book therefore has the unmistakable ring of candor and truth.”—Peter Buitenhuis, The New York Times Book Review“John Rechy shows great comic and tragic talent. He is a truly gifted novelist.”—Christopher Isherwood“A stunning piece of writing.”—David Bowie“When John Rechy’s first novel, City of Night, appeared in 1963, there had never been anything quite like it. . .Its urgent, syntax-scrambled style [was] a wonderful shock to the reading eye, like that of Hubert Selby’s Last Exit to Brooklyn and William Burroughs’ Naked Lunch. City of Night was distinctly a Beat novel, rangy and full of bold riffs as a Charlie Parker album. Rechy displayed a throwaway brilliance.”—Gary Indiana, The Los Angeles Times Book Review“An American classic, with its loner hero, its juke joints and neon signs, its restless shifting from city to city . . . a hybrid of On the Road and Catcher in the Rye.”—Independent on Sunday (London)“The novel has not aged a bit. . . . one reads [it] eagerly. . . . We understand better its exceptional authenticity, its premonitory vision, its subtle literary innovations. The characters . . . have the tragic complexity of Vautrin, Charlus, or Morel, and the aggressive solitude of the marginal people of Jean Genet. . . . Its poetry is not ostentatious nor imposed. . . . The protagonists are individuals of flesh and blood.”—Hugo Marsan, Le Monde (France)“Rechy is more than a good reporter, for he has touched his materials with the imagination and the craft of a writer.”—Granville Hicks, The Saturday Review of Literature “It is the honesty about his narcissism, his depression, and his sexual promiscuity that lifts Rechy’s writing to art. Like so many books, City got attention because of the sex, but it’s really about the soul.”—Daniel Curzon, The Los Angeles Times

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About the Author

John Rechy is the author of twelve novels, among them the New York Times bestseller Numbers, the Los Angeles Times bestsellers Rushes and The Coming of the Night, as well as The Miraculous Day of Amalia Gómez and the nonfiction books The Sexual Outlaw and About My Life and the Kept Woman (all from Grove Press). He has received many awards, including PEN Center USA’s Lifetime Achievement Award and the William Whitehead Award for Lifetime Achievement. He lives in Los Angeles

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Product details

Paperback: 400 pages

Publisher: Grove Press; Anniversary edition (November 12, 2013)

Language: English

ISBN-10: 9780802121530

ISBN-13: 978-0802121530

ASIN: 0802121535

Product Dimensions:

5.5 x 1.2 x 8.2 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

82 customer reviews

Amazon Best Sellers Rank:

#62,675 in Books (See Top 100 in Books)

This is his best book. The story is great and it; I would like to describe it as a dark, thoughtful story. As an older homosexual man, I lived some of these stories. Gay life is changing, or I have not lived it as a young man in many years (hahaha). It is the dark side of being homosexual, but reflets the the reality of gay life as I experienced it. In his second, book Numbers, he focuses on the changes in homosexual culture, but I am not sure it is as great as this book. I found many passages worth posting in Goodreads and on Facebook. He has a unique writing style in this book that makes it a good read. I will recommend the book to younger gay people, and others that want to understand something of homosexual life in the sixties and maybe early eighties. Be warned that this is about the life of a hustler, but in my experience, we were all a kind of hustler when I was a young homosexual guy. Gay sex, dancing and everything we take for granted today, were illegal. What we did was on the fringes of society. I actually miss this life, but only in a nostalgic way, like a soldier thinking of a war he survived.

This is a lyrical work. it doesn't drain your life with excessive literary prose, but it is also not just a blow-by-blow description, leaving no wondrous phrases or moments to remember, a perfect, delicate balance. The characters are believable of the time (and even now) and the hustling locations are beautifully described in each city, New York, Los Angeles, San Francisco, Chicago, New Orleans. No, they are not happy places in this era, maybe in any era in the U.S. My favorite character is the professor in New York. Someone caught in a life he must elevate, but no sign he deprecated his boys as some do and did. The hustlers are typical, with enough characterization to offer a fair portrayal of most types. As a hustler, the lead character had the greatest difficulty understanding attractive men who wanted to pay, not possibly realizing that it was all about efficiency, simple, quick, cheap in use of time. For me, this ranks right up there with "Giovanni's Room" for story. No, not everyone starts gay with guilt, but many do, and this offers one search for the truth, gay is not bad. Way ahead of its time and still worth a read.

Gay life has evolved so much since John Rechy took to the road as a young gay man and then recorded his hustling experiences....so much is different yet for some of us so much remains the same: the pain, the loneliness, the desperation that people even today suffer as they deal with the consequences of their upbringing, their histories, their sexuality, their restlessness, While much of the book is, inevitably, "dated" as they say, the bare bones and essentials still tell a gripping story of our heritage, or at least the scarred underbelly of our heritage.Rechy's story is our story in many respects, and all our marriage rights, suburban acceptance and "normal lives" are in some crazy way built upon the whacked out and suffering lives of Rechy's characters who are based on real folks he encountered on his road.

I bought this book because of a write-up in Texas Monthly. If you are interested in Texas writers, Latino literature, or the Beats, get this book. We read many Beat writers in college but missed this book, probably because when I went to school at a Catholic university Gay themes were not something they wanted to discuss. Which is a shame because it's beautifully written and the book is not sexually explicit at all.It's challenging and a dense read. It will take time to get into, but it is well worth it.There is so much going on in this book that I wished I would have had people to discuss it with. So, get some friends to read it with you. If you are in a book club that would not be offended and likes to read more challenging books, read this book.

CITY OF NIGHT is what you get when you cross headlong, Beat Generation writing with a young man's emerging sense of self as gay -- and it's a wonderful meld indeed. It combines an understanding not only of the insistent drumbeats of gay sexuality and male emotion but also the orange-drink-and-popcorn-scented center of the seediest American city centers, ca. 1960. It can be read as "gay lit," of course, or simply as Americana, hot and heavy. I think it succeeds on both counts.

This book was apparently controversial when it was published in 1963. Of course, the whole idea of prostitution - especially gay prostitution - was scandalous then, and not openly discussed. Having said that, it was mildly surprising to find that there are no graphic depictions of sex anywhere (OK, I still have 25% of the book to go, but SO FAR...); the sex is merely hinted at in the vaguest possible way. This good, as it allows the reader to focus on the main issue - the narrator's internal struggle - as well as the fine writing. Coming out barely 5 years after "On The Road", Rechy's style certainly owes a debt to Kerouac, but not so much as to distract. And like "On The Road", this book seems (so far) to be more about the journey than the destination.

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